In s1e7, Ann and Ben finally turn to prints and printmaking, and evangelize about how wonderful prints are, why they are different and special, why it takes work to get over the hump of understanding technique to get to content. They discuss how technique can inform meaning, how the translation…
Editions are the topic of this bonus episode. Ann and Ben talk about the ins and outs of editions: definitions, numbering, exceptions, the publisher-artist relationship. It's definitely not simple.
In episode 106, Ann and Ben continue their conversation about the Western canon, the state of museums in the 21st century, and discuss breaking down the systems that are the foundation of the modern museum.
In this bonus episode, Ann and Ben talk about how they got into this art thing in the first place. Seems it helped to have artists in the family.
In s1e5, Ann and Ben talk about the Western art-historical canon and recent, important efforts to redefine it, to break it apart, to destroy it. How can/should museums embrace multiple voices and points of view? What happens to museum collections?
After the debut of the podcast Platemark, the most pressing listener question had to do with the positionality statement. That’s where Shafer and Levy introduce themselves by clarifying their gender, sexuality, and race (Shafer: cis-het white woman; Levy: cis-het white man). This bonus episode tackles the issue of positionality as…
In s1e4, Ann and Ben continue their conversation about value but turn toward artistic value rather than monetary value. Both Ann and Ben describe their own systems for evaluating a work of art. Ben’s system centers on reverse engineering a work and looking at the decisions made at each step.…
In s1e3, Ann and Ben take a deep dive into value, beginning with market value. How is it established, who decides what the value of a work should be, how value is arrived at, and how it’s a totally subjective idea.
In s1e2, Ann is in the hotseat as Ben asks her about her beginnings as a curator from an internship at the Whitney Museum of American Art during college, to graduate school at Williams College, to the prints and drawings department at the National Gallery of Art, and to the…
In s3e59, Platemark host Ann Shafer continues talking to artists included in Print Austin’s 5x5 exhibition, juried by Myzska Lewis, a curator at Tandem Press. Second up is Anna Trojanowska, an artist and lithographer from Wroclaw, Poland. Anna creates collages made from lithographs, which she creates on a single marble…
In series 1 episode 1, Ann and Ben talk about critiques and studio visits, focusing on a program they developed in partnership with the printmaking department at the Maryland Institute College of Art. At the start of the senior year, Ann and Ben held critiques with MICA printmakers as they…
In the first, short episode, Ann and Ben introduce listeners to Platemark Season One. Over eight episodes they discuss all manner of topics relating to museums and curators, critiques and studio visits, market value and conceptual value, redefining the Western art historical canon and decolonization, and prints and printmaking. The…
In s3e59, Platemark host Ann Shafer sits down with David Avery to talk shop. David is an etcher, who restrains his work in both size and palette, but manages to tackle big topics. His social commentary is stinging and remarkable in that it comes in such a small package. These…
African-American artist Dox Thrash is in the spotlight on s3e60 of Platemark. Podcast host Ann Shafer speaks with Ron Rumford, director of Dolan/Maxwell, a private gallery in Philadelphia, which has a particular specialty in the prints of Stanley William Hayter and the associated artists of Atelier 17, as well as…
In s3e60 of Platemark, podcast host Ann Shafer speaks with Ron Rumford, director of Dolan/Maxwell, a private gallery in Philadelphia. Dolan/Maxwell deals in 20th century art, with a particular specialty in the prints of Stanley William Hayter and the associated artists of Atelier 17, as well as Black artists of…
In s3e59, Platemark host Ann Shafer sits down with David Avery to talk shop. David is an etcher, who restrains his work in both size and palette, but manages to tackle big topics. His social commentary is stinging and remarkable in that it comes in such a small package. These…
In s3e59, Platemark host Ann Shafer continues talking to artists included in Print Austin’s 5x5 exhibition, juried by Myzska Lewis, a curator at Tandem Press. Second up is Anna Trojanowska, an artist and lithographer from Wroclaw, Poland. Anna creates collages made from lithographs, which she creates on a single marble…
In s3e57, Platemark host Ann Shafer speaks with Karen Kunc, an artist who manipulates reduction woodcuts in an amazing and unique way. Karen is a retired professor and is owner of Constellation Studios in Lincoln, NE. Karen retired from the University of Nebraska, Lincoln, four years ago after a long…