A short clip from Platemark s3e39 in which Sue Coe talks about a failed print about the origination of the word crowbar and how it relates to Jim Crow.
A short clip from Platemark s3e39 in which Sue Coe talks about the graphic power of printmaking, specifically woodcut.
A short clip from Platemark s3e39 in which Sue Coe talks about audience trust in an artist's content through sincerity.
A short clip from Platemark s3e39 in which Sue Coe talks about the importance of socially conscious content declaring "my art eats here."
In this week's episode of Platemark (s3e38), host Ann Shafer talks with Jillian Ross, collaborative master printer and publisher with an eponymous imprint, Jillian Ross Print, in Saskatoon, Saskatchewan, Canada. Ross returned to her native Saskatoon after many years in Johannesburg, South Africa, where she was the master printer at…
A short clip from Platemark s3e38 in which Jillian Ross talks about moving between mediums, translations, and call and response.
In s3e37 of Platemark, host Ann Shafer and printer/publisher Phil Sanders continue talking about the state of the printmaking ecosystem. They talk about why supporting artists is important even if you don’t like what they are doing, why that new Julie Mehretu set of etchings costs $250K, the imminent brain…
A short clip from Platemark s3e37 in which guest Phil Sanders talks about the role of Platemark in offering up close and personal experiences to a wide audience, thus breaking the barriers to entry in the print world.
A short clip from Platemark s3e36 in which guest Phil Sanders talks about mark making
A short clip from Platemark s3e36 in which guest Phil Sanders talks about why painters and sculptors are attracted to printmaking. It's all about working with more people toward a shared goal.
A short clip from Platemark s3e36 in which guest Phil Sanders talks about the most important thing for people trying to get into the business: time on the press.
In s3e36 of Platemark, podcast host Ann Shafer speaks with printer/publisher and author Phil Sanders about the state of the ecosystem. Phil has a finger in nearly every pie in that system, so after a Platemark listener wrote in to ask about breaking into the publishing end of things, Ann…
A short clip from Platemark s3e36 in which guest Phil Sanders talks about how prints hold down the unpretentious corner of the art world.
In s3e35, Platemark host Ann Shafer talks with Larissa Goldston, director and owner of Universal Limited Art Editions, usually referred to by its acronym ULAE. We talk about ULAE’s founder Tatyana Grosman, and her harrowing escape from first Siberia following the assassination of Czar Nicholas, and then from the Nazis…
In s3e34, Platemark host Ann Shafer speaks with Jason Scuilla, artist and professor at Kansas State University in Manhattan, KS. The university is hosting the Mid America Print Council conference in the fall of 2024, and Jason was eager to talk about the conference and its call for proposals of…
In s3e33, Platemark podcast host Ann Shafer talks with Ruth Lingen, printer and owner of Line Press Limited, located in the Dumbo neighborhood of Brooklyn. Line Press Limited does just about everything except screenprinting. Ruth is a jack-of-all-trades, and loves book arts the most, from papermaking to typesetting to printing…
In s3e32 of Platemark, a podcast about prints and the printmaking ecosystem, host Ann Shafer speaks with Ad Stijnman, an independent scholar of historical printmaking processes, specializing in manual intaglio printmaking techniques. He is also a professional printmaker. Ad is the go-to guy on all sorts of things. When he…
In s2e29, Platemark hosts Ann Shafer and Tru Ludwig talk about Claude Lorrain, the arbiter of landscape painting in the 17th century. He worked most of his life in Rome and elevated landscape as a subject up the hierarchy by including small figural groups and naming the compositions with mythological…
In s3e31 of Platemark, host Ann Shafer speaks with Lothar Osterburg, artist, professor and leading expert on the fine art of photogravure. These are basically photographs transferred to copper plates and printed as etchings. (It's of course more complicated than that.) In this way, it is possible to get images…
In Platemark s3e30, host Ann Shafer speaks with Ruth Fine, retired curator from the National Gallery of Art. Ruth was curator of modern prints and drawings there from 1980–2002, followed by an additional period working on special projects in modern art. Since her retirement in 2010, Ruth has been working…
In Platemark s3e29, host Ann Shafer speaks with April Vollmer, an artist working in mokuhanga (Japanese color woodblock printing) who also wrote the indispensable guide to that form: Japanese Woodblock Print Workshop (Berkeley: Watson-Guptill Publications, 2015). What's mokuhanga, you ask? It's a method developed in Japan that was used to…
In s3e28, Platemark host Ann Shafer speaks with Linda Hults, retired professor of art history from the College of Wooster, Wooster, Ohio. Linda wrote THE textbook on the history of Western prints, which any student of the topic will undoubtedly still have on their shelves. At nearly 1,000 pages, the…
In Platemark s3e27, host Ann Shafer talks with Emma Nishimura, an artist and professor based in Toronto. Emma works in printmaking, photography, sculpture, and installation. Her work addresses ideas of inherited memory and trauma with a specific focus on the experiences her family and thousands of other Japanese Canadians endured…
Platemark s3e26's guest is Jennifer Mack-Watkins, and artist and children's book illustrator based in Savannah, GA. Her work looks at social conformities that limit us and box us in, whether beauty, relationships, body image, power, or gender roles. Her work often features young Black children playing, celebrating their innocence and…